Sati, the Blessing and the Curse: The Burning of Wives in IndiaJohn Stratton Hawley, Professor and Chair of the Religion Department at Barnard College Director of the Southern Asian Institute John Stratton Hawley Oxford University Press, 1994 - 214 pages Several years ago in Rajasthan, an eighteen-year-old woman was burned on her husband's funeral pyre and thus became sati. Before ascending the pyre, she was expected to deliver both blessings and curses: blessings to guard her family and clan for many generations, and curses to prevent anyone from thwarting her desire to die. Sati also means blessing and curse in a broader sense. To those who revere it, sati symbolizes ultimate loyalty and self-sacrifice. It often figures near the core of a Hindu identity that feels embattled in a modern world. Yet to those who deplore it, sati is a curse, a violation of every woman's womanhood. It is murder mystified, and as such, the symbol of precisely what Hinduism should not be.In this volume a group of leading scholars consider the many meanings of sati: in India and the West; in literature, art, and opera; in religion, psychology, economics, and politics. With contributors who are both Indian and American, this is a genuinely binational, postcolonial discussion. Contributors include Karen Brown, Paul Courtright, Vidya Dehejia, Ainslie Embree, Dorothy Figueira, Lindsey Harlan, John Hawley, Robin Lewis, Ashis Nandy, and Veena Talwar Oldenburg. |
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Page 141
Even those who were unable to see the direct colonial involvement often identified the distorted remnants of tradition as the main culprit , and saw that sati was not a problem when such traditions flourished undisturbed .
Even those who were unable to see the direct colonial involvement often identified the distorted remnants of tradition as the main culprit , and saw that sati was not a problem when such traditions flourished undisturbed .
Page 142
At least one scholar has expressed her anguish that the criticisms of sati since the Deorala event have borrowed so heavily from colonial discourse . 22 What she has seen is correct , and such borrowing is to be expected .
At least one scholar has expressed her anguish that the criticisms of sati since the Deorala event have borrowed so heavily from colonial discourse . 22 What she has seen is correct , and such borrowing is to be expected .
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Lata Mani , whose rigorous and lucid paper on the production of knowledge about sati by colonial officials is the only serious , detailed , and intelligent discourse analysis on sati to date , concludes that ( Sjeveral interlocking ...
Lata Mani , whose rigorous and lucid paper on the production of knowledge about sati by colonial officials is the only serious , detailed , and intelligent discourse analysis on sati to date , concludes that ( Sjeveral interlocking ...
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Table des matières
Introduction | 3 |
The Iconographies of Sati | 27 |
Sati in European Culture | 55 |
Droits d'auteur | |
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Expressions et termes fréquents
action actually appears become believe Bengal body Brahmin British called caste cause century colonial contemporary critics culture curse custom death debate Delhi Deorala describes devotion discussed early essay European event existence expressed fact feminist figure fire force funeral give given goddess groups Hindu human husband idea immolation important Indian involved issue later lives major meaning moral mother murder Muslim myth Nandy nature Notes offered particular pativrata performed person political practice present Press protection pyre question Rajasthan Rajput reading reason religion religious reports response rite ritual role Roop Kanwar sati sati's satimata seems sense served Shiva shows social society status story suggests suicide symbol tion tradition understanding University values village Western widow wife woman women young