Sati, the Blessing and the Curse: The Burning of Wives in IndiaJohn Stratton Hawley Oxford University Press, 1994 - 214 pages Several years ago in Rajasthan, an eighteen-year-old woman was burned on her husband's funeral pyre and thus became sati. Before ascending the pyre, she was expected to deliver both blessings and curses: blessings to guard her family and clan for many generations, and curses to prevent anyone from thwarting her desire to die. Sati also means blessing and curse in a broader sense. To those who revere it, sati symbolizes ultimate loyalty and self-sacrifice. It often figures near the core of a Hindu identity that feels embattled in a modern world. Yet to those who deplore it, sati is a curse, a violation of every woman's womanhood. It is murder mystified, and as such, the symbol of precisely what Hinduism should not be.In this volume a group of leading scholars consider the many meanings of sati: in India and the West; in literature, art, and opera; in religion, psychology, economics, and politics. With contributors who are both Indian and American, this is a genuinely binational, postcolonial discussion. Contributors include Karen Brown, Paul Courtright, Vidya Dehejia, Ainslie Embree, Dorothy Figueira, Lindsey Harlan, John Hawley, Robin Lewis, Ashis Nandy, and Veena Talwar Oldenburg. |
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Page 36
... ( Figure 3 ) .3 The position of the stone and its iconography are familiar . The stone is near the edge of the village ... Figure 2. Sati stone ( probably eighteenth century ) , Pune District , Maharashtra . ( Photograph , Paul Courtright ) ...
... ( Figure 3 ) .3 The position of the stone and its iconography are familiar . The stone is near the edge of the village ... Figure 2. Sati stone ( probably eighteenth century ) , Pune District , Maharashtra . ( Photograph , Paul Courtright ) ...
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... Figure 3. Haircutting ceremony in front of a satimata shrine , southwestern Rajasthan . ( Photograph , Bhojuram Gujar ) . Figure 4. Etching depicting a sati , from James Peggs. The Iconographies of Sati 37.
... Figure 3. Haircutting ceremony in front of a satimata shrine , southwestern Rajasthan . ( Photograph , Bhojuram Gujar ) . Figure 4. Etching depicting a sati , from James Peggs. The Iconographies of Sati 37.
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... ( Figure 4 ) . This icon - like the colonial , Hindu reformist , and Christian missionary rhetoric of the period- begs ... Figure 4. Etching depicting a sati , from James Peggs , India's Cries to British Humanity ( London , 1832 ) ...
... ( Figure 4 ) . This icon - like the colonial , Hindu reformist , and Christian missionary rhetoric of the period- begs ... Figure 4. Etching depicting a sati , from James Peggs , India's Cries to British Humanity ( London , 1832 ) ...
Table des matières
Introduction | 3 |
The Iconographies of Sati | 27 |
Sati in European Culture | 55 |
Droits d'auteur | |
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Expressions et termes fréquents
anti-sati Ashis Nandy believe Bengal Brahmin British burning caste chunari coercion colonial contemporary Coomaraswamy Courtright cremation critics culture curse custom debate Delhi Deorala Deorala sati devotion dharma dowry elites essay European event feminist Figueira flames funeral pyre goddess groups Harlan Hindi Hindu husband immolation in-laws Indian issue Jain Jaipur jauhar Jhunjhunu Kennedy Kishwar and Vanita Mahabharata Manushi metempsychosis modern moral mother murder Muslim myth Nandy Nandy's Narayani Satimata Nathu's nineteenth century non-Rajput Oldenburg Oxford University Press Parvati pativrata political practice of sati protection Rajasthan Rajput Rajput women religion religious rite ritual role Roop Kanwar Roop Kanwar's death Roop Kanwar's sati Roop's sacrifice Sanskrit sati sati of Roop sati temples sati's satimata secular self-immolation Shah Bano Shiva shrine Sikar Singh Smṛti social society story suicide Suttee symbol tion tradition Trial by Fire urban Veena village vrat Western widow wife woman