Faulkner's Subject: A Cosmos No One OwnsCambridge University Press, 29 mai 1992 - 181 pages Faulkner's Subject offers a reading of William Faulkner for our time, and does so by rethinking his masterpieces through the lenses of current critical theory. The book attends equally to the power of his work and to the current theoretical issues that would call that power into question. Drawing on poststructuralist, ideological, and gender theory, Weinstein examines the harrowing process of "becoming oneself" at the heart of these novels. This self is always male, and it achieves focus only through strategically mystifying or marginalizing women and blacks. The cosmos he called his own--the textual world he produced, of which he would be "sole owner and proprietor"--merges as a cosmos no one owns, a verbal territory also generated (and biased) by the larger culture's discourses of gender and race. Like personal identity itself, it is a cosmos no one owns. |
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Absalom Althusser American argues articulate Bakhtin become Benjy Bleikasten blood Caddy canonical chapter characters Charles Bon Christmas's claim Cleanth Brooks Clytie coherence Compson cosmos critical culture culture's desire discourse discursive practice emerges encounter enter explores fantasy father Faulkner's texts Faulknerian female fiction figures Foucault Fury gender George Wilkins human identity ideological Ike McCaslin Imaginary imagined immersed insistence Intruder Jason Joanna Joe Christmas Lacan language Lena Light in August lives Lucas Beauchamp Lucas's materials miscegenation Modernist Moses mother move narrative voice narrator never nigger norms novel pathos portrait produced Quentin Quentin Compson race racial reader reading registers remains representation reveals rhetoric Roland Barthes role Rosa Rosa's scene scripts seems sense sexual signifying Snopes social Sound Southern space speak Stonum story Sutpen Symbolic text's Thomas Sutpen tion tropes virginity voice and body Wadlington white male William Faulkner woman women words writes