To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
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6 Of course, there were those in the abolitionist movement who put the matter in a much more sympathetic and ... that absolute “perfect” truth, a concept dear to evangelical abolitionism and nineteenth-century America in general, ...
6 Of course, there were those in the abolitionist movement who put the matter in a much more sympathetic and ... that absolute “perfect” truth, a concept dear to evangelical abolitionism and nineteenth-century America in general, ...
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“Argument provokes argument,” the editor of the Boston Chronotype concluded about the abolitionist controversy in the 1840s; “reason is met by sophistry; but narratives of slaves go right to the hearts of men.”11 Reaching “the hearts of ...
“Argument provokes argument,” the editor of the Boston Chronotype concluded about the abolitionist controversy in the 1840s; “reason is met by sophistry; but narratives of slaves go right to the hearts of men.”11 Reaching “the hearts of ...
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Many ex-slaves were quite willing to accede to this expectation, especially when told by their abolitionist sponsors that ... From the standpoint of the advancement of the cause, abolitionists naturally felt that the most useful black ...
Many ex-slaves were quite willing to accede to this expectation, especially when told by their abolitionist sponsors that ... From the standpoint of the advancement of the cause, abolitionists naturally felt that the most useful black ...
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Ever direr and more explicit warnings of the wrath to be visited on southern white pharaohs appeared in slave narratives composed after the rise of evangelical Garrisonian abolitionism. Some autobiographers, like Leonard Black in 1847, ...
Ever direr and more explicit warnings of the wrath to be visited on southern white pharaohs appeared in slave narratives composed after the rise of evangelical Garrisonian abolitionism. Some autobiographers, like Leonard Black in 1847, ...
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Led by Ulrich B. Phillips, the first historians of American slavery regarded slave narratives as merely an arm of abolitionist propaganda, strong in righteous indignation but weak in factual substance. In the 1960s and 1970s scholars ...
Led by Ulrich B. Phillips, the first historians of American slavery regarded slave narratives as merely an arm of abolitionist propaganda, strong in righteous indignation but weak in factual substance. In the 1960s and 1970s scholars ...
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To tell a free story: the first century of Afro-American autobiography, 1769-1865
Avis d'utilisateur - Not Available - Book VerdictAndrews describes and analyzes many autobiographies here, but his primary focus is on "slave narratives'' by Frederick Douglass, Harriet Jacobs (a.k.a. Linda Brent), and J. D. Green. He convincingly ... Consulter l'avis complet
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abolitionist according action African Afro-American Afro-American autobiography alien American antislavery appeared authority become Bibb black autobiography Bondage Boston Brown called century chapter character Christian claim condition confession conventional criticism culture discourse discussion Douglass early edition England escape experience expression facts feel Frederick Douglass freedom freeman fugitive slave further genre Green hand Henry Henson ideal identity important Incidents individual institution Jacobs James John kind language letters Liberator liberty literary lives marginal master means metaphor mind mode moral narrator nature Negro North past play published question reader relationship resistance response rhetorical role seems sense significance slave narrative slavery Smith social society South speak speech spiritual status story structure tradition true truth turn Turner University Press Ward woman women writing York young