To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
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“Free at Last”: From Discourse to Dialogue in the Novelized Autobiography Notes Annotated Bibliography of Afro-American Autobiography, 1760–1865 Annotated Bibliography of Afro-American Biography, 1760–1865 Index Preface The thesis of ...
“Free at Last”: From Discourse to Dialogue in the Novelized Autobiography Notes Annotated Bibliography of Afro-American Autobiography, 1760–1865 Annotated Bibliography of Afro-American Biography, 1760–1865 Index Preface The thesis of ...
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... ways often at variance with literary conventions and social proprieties of discourse. Afro-American autobiography between 1760 and 1865 does not just record the process by which its protagonists became free of sin or slavery.
... ways often at variance with literary conventions and social proprieties of discourse. Afro-American autobiography between 1760 and 1865 does not just record the process by which its protagonists became free of sin or slavery.
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However, this willingness to work on the margins of discourse testifies to the Newmanesque antagonism of important early black autobiographers to inhibiting forms of categorical thinking about black experience and expression in white ...
However, this willingness to work on the margins of discourse testifies to the Newmanesque antagonism of important early black autobiographers to inhibiting forms of categorical thinking about black experience and expression in white ...
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In keeping with both the self- and otherdirectedness of autobiography, Starobinski's labeling of the genre as “discourse-history” seems a helpful kind of general description, though fraught with definitional difficulties that must be ...
In keeping with both the self- and otherdirectedness of autobiography, Starobinski's labeling of the genre as “discourse-history” seems a helpful kind of general description, though fraught with definitional difficulties that must be ...
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30 What, then, does it mean to treat early black autobiography as discourse as well as history? In one respect, the discursive nature of black autobiography is simply a function of its rhetorical situation. As Lloyd F. Bitzer explains, ...
30 What, then, does it mean to treat early black autobiography as discourse as well as history? In one respect, the discursive nature of black autobiography is simply a function of its rhetorical situation. As Lloyd F. Bitzer explains, ...
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To tell a free story: the first century of Afro-American autobiography, 1769-1865
Avis d'utilisateur - Not Available - Book VerdictAndrews describes and analyzes many autobiographies here, but his primary focus is on "slave narratives'' by Frederick Douglass, Harriet Jacobs (a.k.a. Linda Brent), and J. D. Green. He convincingly ... Consulter l'avis complet
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