To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
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During the evolution of this tradition, autobiographers demonstrate through a variety of rhetorical means that they regard the writing of autobiography as in some ways uniquely selfliberating, the final, climactic act in the drama of ...
During the evolution of this tradition, autobiographers demonstrate through a variety of rhetorical means that they regard the writing of autobiography as in some ways uniquely selfliberating, the final, climactic act in the drama of ...
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... pamphlets, addresses, and appeals, all of which employ expostulatory means to confront the problem of the black situation in white America. Yet only black autobiography had a mass impact on the conscience of antebellum Americans.
... pamphlets, addresses, and appeals, all of which employ expostulatory means to confront the problem of the black situation in white America. Yet only black autobiography had a mass impact on the conscience of antebellum Americans.
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... means of self-advertisement for ambitious former bondmen on the other. When we find a gap in a slave narrator's objective reportage of the facts of slavery, or a lapse in his prepossessing self-image, we must pay special attention.
... means of self-advertisement for ambitious former bondmen on the other. When we find a gap in a slave narrator's objective reportage of the facts of slavery, or a lapse in his prepossessing self-image, we must pay special attention.
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30 What, then, does it mean to treat early black autobiography as discourse as well as history? In one respect, the discursive nature of black autobiography is simply a function of its rhetorical situation. As Lloyd F. Bitzer explains, ...
30 What, then, does it mean to treat early black autobiography as discourse as well as history? In one respect, the discursive nature of black autobiography is simply a function of its rhetorical situation. As Lloyd F. Bitzer explains, ...
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If the audience views itself or its interests as alien from the speaker or his interests, rhetoric becomes the means by which the latter attempts to identify with the former. A speaker may seek to affirm his identity with his audience ...
If the audience views itself or its interests as alien from the speaker or his interests, rhetoric becomes the means by which the latter attempts to identify with the former. A speaker may seek to affirm his identity with his audience ...
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To tell a free story: the first century of Afro-American autobiography, 1769-1865
Avis d'utilisateur - Not Available - Book VerdictAndrews describes and analyzes many autobiographies here, but his primary focus is on "slave narratives'' by Frederick Douglass, Harriet Jacobs (a.k.a. Linda Brent), and J. D. Green. He convincingly ... Consulter l'avis complet
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abolitionist according action African Afro-American Afro-American autobiography alien American antislavery appeared authority become Bibb black autobiography Bondage Boston Brown called century chapter character Christian claim condition confession conventional criticism culture discourse discussion Douglass early edition England escape experience expression facts feel Frederick Douglass freedom freeman fugitive slave further genre Green hand Henry Henson ideal identity important Incidents individual institution Jacobs James John kind language letters Liberator liberty literary lives marginal master means metaphor mind mode moral narrator nature Negro North past play published question reader relationship resistance response rhetorical role seems sense significance slave narrative slavery Smith social society South speak speech spiritual status story structure tradition true truth turn Turner University Press Ward woman women writing York young