Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 48
At its most reassuring , a romance like Denver's might rep- resent such " plans " as an unthreatening secret thrill , part of " the downright pleasure of enchantment , of not suspecting but knowing the things behind things ...
At its most reassuring , a romance like Denver's might rep- resent such " plans " as an unthreatening secret thrill , part of " the downright pleasure of enchantment , of not suspecting but knowing the things behind things ...
Page 49
with it , " and Denver both depends on and is curious about this deliberate silence about the world outside their yard and the other stories beyond Denver's own . Denver's story depends on that surrounding silence , but like the ...
with it , " and Denver both depends on and is curious about this deliberate silence about the world outside their yard and the other stories beyond Denver's own . Denver's story depends on that surrounding silence , but like the ...
Page 50
By listening to these stories and imagining her mother's risk and courage as her own - neither as a hero in complete control nor as a powerless victim of circum- stances- -Denver takes courage from Sethe's example much as Sethe took ...
By listening to these stories and imagining her mother's risk and courage as her own - neither as a hero in complete control nor as a powerless victim of circum- stances- -Denver takes courage from Sethe's example much as Sethe took ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |