Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 111
Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland ... and Eliot's literary audience , Ellison's novel stages its own parallel , explicitly comparable series of disillusionments with weakened and negated cultural ideals .
Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland ... and Eliot's literary audience , Ellison's novel stages its own parallel , explicitly comparable series of disillusionments with weakened and negated cultural ideals .
Page 202
Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland ... Ellison's writing sustains what Eliot's early writing mostly does not of the jazz musician's gospel- derived sense that the music must address not only other musicians ...
Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland ... Ellison's writing sustains what Eliot's early writing mostly does not of the jazz musician's gospel- derived sense that the music must address not only other musicians ...
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Again , Schaub emphasizes this attachment on Ellison's part to a modernist , New Critical , cold war ethic of literary consciousness as a sub- stitute for political action . I emphasize instead Ellison's effort to recognize , but also ...
Again , Schaub emphasizes this attachment on Ellison's part to a modernist , New Critical , cold war ethic of literary consciousness as a sub- stitute for political action . I emphasize instead Ellison's effort to recognize , but also ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |