Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 65
In this sense Jim functions to some extent for Huck as Eric Lott suggests that the tremendously popular American minstrel tradition tended to function for its nineteenth - century working - class and middle - class audiences — as an ...
In this sense Jim functions to some extent for Huck as Eric Lott suggests that the tremendously popular American minstrel tradition tended to function for its nineteenth - century working - class and middle - class audiences — as an ...
Page 84
But Jim's presence both calls attention to the limits of Huck's sense of freedom and holds before Huck the example of Jim's more positive , less individualistic concept of freedom . Jim's presence keeps alive for Huck and his readers ...
But Jim's presence both calls attention to the limits of Huck's sense of freedom and holds before Huck the example of Jim's more positive , less individualistic concept of freedom . Jim's presence keeps alive for Huck and his readers ...
Page 89
Look- ing at Buck's face , Huck can see a reflective picture of himself , as well as a more composite picture of both himself and the other main figure of his transference in Jim , the other part of himself he had earlier thought was ...
Look- ing at Buck's face , Huck can see a reflective picture of himself , as well as a more composite picture of both himself and the other main figure of his transference in Jim , the other part of himself he had earlier thought was ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |