Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 129
moral decision , nor in the pathos and dignity of The Waste Land's generalized irony , but in a blues - toned laughter or song . Ellison explains elsewhere that the blues " provide no solution , offer no scapegoat but the self ...
moral decision , nor in the pathos and dignity of The Waste Land's generalized irony , but in a blues - toned laughter or song . Ellison explains elsewhere that the blues " provide no solution , offer no scapegoat but the self ...
Page 145
The Waste Land thus becomes a dramatic reflection on what Morrison calls the " solitude " and " separate confinement " of ca- nonical American literature , considered not just as a symptom but as the poem's focus and struggle .
The Waste Land thus becomes a dramatic reflection on what Morrison calls the " solitude " and " separate confinement " of ca- nonical American literature , considered not just as a symptom but as the poem's focus and struggle .
Page 148
Less dramatically than he would in The Waste Land itself , Eliot writes in his early essays of a modern civilization of such " great variety and complexity " that " the poet must become more and more comprehensive , more allusive ...
Less dramatically than he would in The Waste Land itself , Eliot writes in his early essays of a modern civilization of such " great variety and complexity " that " the poet must become more and more comprehensive , more allusive ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |