Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 pages |
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Page 113
... blindness characteristic of canonical nineteenth - century Ameri- can fiction and the more aestheticist , alienated blindness char- acteristic of American modernism . Ellison's prologue begins by attempting to address that same dominant ...
... blindness characteristic of canonical nineteenth - century Ameri- can fiction and the more aestheticist , alienated blindness char- acteristic of American modernism . Ellison's prologue begins by attempting to address that same dominant ...
Page 114
... blindness is itself indescribable without addressing the " peculiar disposition " of a certain cul- tural blindness and invisibility . It is a blindness that is not exactly aesthetic and universal ( as may be suggested by work like ...
... blindness is itself indescribable without addressing the " peculiar disposition " of a certain cul- tural blindness and invisibility . It is a blindness that is not exactly aesthetic and universal ( as may be suggested by work like ...
Page 171
... blindness to difference and change his having " foresuffered all " and " foretold the rest " —a blindness that Eliot might well consider the " great an- thropological interest " of Ovid's story for the modern world . It is a blindness ...
... blindness to difference and change his having " foresuffered all " and " foretold the rest " —a blindness that Eliot might well consider the " great an- thropological interest " of Ovid's story for the modern world . It is a blindness ...
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |