Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 113
Ellison's novel will analyze both the sentimentalized blindness characteristic of canonical nineteenth - century Ameri- can fiction and the more aestheticist , alienated blindness char- acteristic of American modernism .
Ellison's novel will analyze both the sentimentalized blindness characteristic of canonical nineteenth - century Ameri- can fiction and the more aestheticist , alienated blindness char- acteristic of American modernism .
Page 114
Furthermore , that social con- tact between invisibility and blindness is itself indescribable without addressing the " peculiar disposition " of a certain cul- tural blindness and invisibility . It is a blindness that is not exactly ...
Furthermore , that social con- tact between invisibility and blindness is itself indescribable without addressing the " peculiar disposition " of a certain cul- tural blindness and invisibility . It is a blindness that is not exactly ...
Page 171
His blindness is likewise the result of his interference in a " sportive quarrel " between Jove and Juno over whether women have greater pleasure in love than men . Juno blinds him , per- haps , for presuming as " arbitrator " to ...
His blindness is likewise the result of his interference in a " sportive quarrel " between Jove and Juno over whether women have greater pleasure in love than men . Juno blinds him , per- haps , for presuming as " arbitrator " to ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |