Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Reading expands our capacities both to shape reality accord- ing to our imaginations and to explore other versions of reality that challenge and perhaps transform our own . In a kind of transference , readers are encouraged to elaborate ...
Reading expands our capacities both to shape reality accord- ing to our imaginations and to explore other versions of reality that challenge and perhaps transform our own . In a kind of transference , readers are encouraged to elaborate ...
Page 110
Ellison is most inspired by " the sheer rhe- torical challenge involved in communicating across our barriers of race and religion , class , color and region " ( xxii ) . 4 Thus Ellison's novel encounters and challenges The Waste Land's ...
Ellison is most inspired by " the sheer rhe- torical challenge involved in communicating across our barriers of race and religion , class , color and region " ( xxii ) . 4 Thus Ellison's novel encounters and challenges The Waste Land's ...
Page 148
The inter- personal , cross - cultural challenge shifts to the metaphysical , though the river's description as a " strong brown god " ( 192 ) still shows the marks of race . Less dramatically than he would in The Waste Land itself ...
The inter- personal , cross - cultural challenge shifts to the metaphysical , though the river's description as a " strong brown god " ( 192 ) still shows the marks of race . Less dramatically than he would in The Waste Land itself ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |