Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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that Meili Steele describes in recent African American ( and much other ) theory and criticism - the language of third - person critical explanations and the first- and second - person language that is more characteristic of most ...
that Meili Steele describes in recent African American ( and much other ) theory and criticism - the language of third - person critical explanations and the first- and second - person language that is more characteristic of most ...
Page 82
He lacks what John Brenkman calls a " critical hermeneutics " that would enable him both to criticize existing structures of identity and relationship— “ the forms of domination which imprint the production and reception of cul- ture ...
He lacks what John Brenkman calls a " critical hermeneutics " that would enable him both to criticize existing structures of identity and relationship— “ the forms of domination which imprint the production and reception of cul- ture ...
Page 95
... own family and the family of slaves that move Huck from his abject submission to the King and the Duke into critical , imaginative , and strategic action again on behalf of Mary Jane , her sisters , and the divided slave family .
... own family and the family of slaves that move Huck from his abject submission to the King and the Duke into critical , imaginative , and strategic action again on behalf of Mary Jane , her sisters , and the divided slave family .
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |