Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 pages |
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Page 53
... dead , that's what . Not me . I'm a get to Boston and get myself some velvet . Carmine . " But her contrast creaks under the force of their inter- action , although perhaps her contrast also works as a tempo- rarily familiar reassurance ...
... dead , that's what . Not me . I'm a get to Boston and get myself some velvet . Carmine . " But her contrast creaks under the force of their inter- action , although perhaps her contrast also works as a tempo- rarily familiar reassurance ...
Page 147
... dead Negroes , cows and chicken coops . ( Collected Poems 195 ) But this " agony of others , nearly experienced , / Involv- ing ourselves " ( 195 ) , when it cannot quite be articulated and mourned in terms of Eliot's sense of the ...
... dead Negroes , cows and chicken coops . ( Collected Poems 195 ) But this " agony of others , nearly experienced , / Involv- ing ourselves " ( 195 ) , when it cannot quite be articulated and mourned in terms of Eliot's sense of the ...
Page 153
... dead through a comparison of World War I and Rome's commercial war against Carthage , as if the mil- lions of World War I dead died to as little purpose , fighting for control over colonial trade . The speaker accosts one passerby ( as ...
... dead through a comparison of World War I and Rome's commercial war against Carthage , as if the mil- lions of World War I dead died to as little purpose , fighting for control over colonial trade . The speaker accosts one passerby ( as ...
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |