Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 53
End up dead , that's what . Not me . I'm a get to Boston and get myself some velvet . Carmine . " But her contrast creaks under the force of their inter- action , although perhaps her contrast also works as a tempo- rarily familiar ...
End up dead , that's what . Not me . I'm a get to Boston and get myself some velvet . Carmine . " But her contrast creaks under the force of their inter- action , although perhaps her contrast also works as a tempo- rarily familiar ...
Page 153
An allusion to the " ships at Mylae " suggests a colonial con- text for the burial of the dead through a comparison of World War I and Rome's commercial war against Carthage , as if the mil- lions of World War I dead died to as little ...
An allusion to the " ships at Mylae " suggests a colonial con- text for the burial of the dead through a comparison of World War I and Rome's commercial war against Carthage , as if the mil- lions of World War I dead died to as little ...
Page 173
This briefest section has been cut from ninety - three lines in the original draft to ten in the final copy , as if most of Eliot's writing here has gone the way of Phlebas the Phoenician's dead flesh : " A current under sea / Picked ...
This briefest section has been cut from ninety - three lines in the original draft to ten in the final copy , as if most of Eliot's writing here has gone the way of Phlebas the Phoenician's dead flesh : " A current under sea / Picked ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |