Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 43
Thus when Sethe remembers thinking she is “ about to be discovered by a whiteboy " and be deprived of even an " easeful death , " she can also laugh at how her hunger and shape - shifting ...
Thus when Sethe remembers thinking she is “ about to be discovered by a whiteboy " and be deprived of even an " easeful death , " she can also laugh at how her hunger and shape - shifting ...
Page 45
... whether her mother knows — as if Sethe may want Amy's help to imagine a life for Sethe's own unborn child , or perhaps just to retain some hold on language and life at all as she struggles against surrender and death .
... whether her mother knows — as if Sethe may want Amy's help to imagine a life for Sethe's own unborn child , or perhaps just to retain some hold on language and life at all as she struggles against surrender and death .
Page 149
The 1915 manuscript drafts of " The Death of St. Narcissus , " from which these lines of The Waste Land are taken , elaborate this sense of isolation with one's own illusions and the consequent turn to God not as an answer but as a kind ...
The 1915 manuscript drafts of " The Death of St. Narcissus , " from which these lines of The Waste Land are taken , elaborate this sense of isolation with one's own illusions and the consequent turn to God not as an answer but as a kind ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |