Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 121
The question acknowledges what the narrator fears and what he cannot know for sure about his own and others ' " lower frequencies , " emphasizing the unpre- dictable nature of such encounters with the strangers within himself and the ...
The question acknowledges what the narrator fears and what he cannot know for sure about his own and others ' " lower frequencies , " emphasizing the unpre- dictable nature of such encounters with the strangers within himself and the ...
Page 164
... more informal fare- wells are made to seem themselves like formulaic distractions from the more challenging responsibilities faintly traceable both in “ high art ” and in interpersonal encounters such as the one just overheard .
... more informal fare- wells are made to seem themselves like formulaic distractions from the more challenging responsibilities faintly traceable both in “ high art ” and in interpersonal encounters such as the one just overheard .
Page 167
or other transformative encounter is submerged in this idea of misch - masch , drowned out by the broken sounds of horns ... Eliot's review sug- gests that the way to make music of modern life is to bring it into transforming encounters ...
or other transformative encounter is submerged in this idea of misch - masch , drowned out by the broken sounds of horns ... Eliot's review sug- gests that the way to make music of modern life is to bring it into transforming encounters ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |