Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 pages |
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Page 24
... escape from that society is shown to fail , overpowered by greater social or natural forces , we tend to have American realism . When the ro- mance of escape is shown to be inexpressibly and pathetically sentimental , we have modernism ...
... escape from that society is shown to fail , overpowered by greater social or natural forces , we tend to have American realism . When the ro- mance of escape is shown to be inexpressibly and pathetically sentimental , we have modernism ...
Page 43
... escape , although her laughter also signals how sim- plistic this idea of escape is . The almost overwhelming demands on Sethe are represented in a form that is “ intelligible and acces- sible " even for Denver , in the person of Amy ...
... escape , although her laughter also signals how sim- plistic this idea of escape is . The almost overwhelming demands on Sethe are represented in a form that is “ intelligible and acces- sible " even for Denver , in the person of Amy ...
Page 109
... escape into a pure nationalism or romance seems impossible : " There was neither escape , " as Ras might have hoped , " nor a loved one waiting " ( Invisible Man xii ) , as Hemingway's hero hoped . Hybridized dis- course like Ellison's ...
... escape into a pure nationalism or romance seems impossible : " There was neither escape , " as Ras might have hoped , " nor a loved one waiting " ( Invisible Man xii ) , as Hemingway's hero hoped . Hybridized dis- course like Ellison's ...
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |