Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 43
moment , Sethe suggests she realizes that her own birth once placed a similar demand on her own mother , who becomes an empowering example to her now . Neither individual escape ( on the most sentimental model of romance ) nor ...
moment , Sethe suggests she realizes that her own birth once placed a similar demand on her own mother , who becomes an empowering example to her now . Neither individual escape ( on the most sentimental model of romance ) nor ...
Page 67
may thus tell us more about certain parts of nineteenth - century American culture than others , as middle - class European Ameri- cans , for example , both deny and reflect on certain dimensions and definitions of themselves and their ...
may thus tell us more about certain parts of nineteenth - century American culture than others , as middle - class European Ameri- cans , for example , both deny and reflect on certain dimensions and definitions of themselves and their ...
Page 198
Morrison's own nonfiction is an example of recent changes in American studies in general , including what Gates has called " a new black aesthetic movement , " featuring close readings of the social text " to reveal cultural ...
Morrison's own nonfiction is an example of recent changes in American studies in general , including what Gates has called " a new black aesthetic movement , " featuring close readings of the social text " to reveal cultural ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |