Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
À l'intérieur du livre
Résultats 1-3 sur 24
Page 86
His language here suggests only a double - negative freedom from a familiar discourse of domination ( not - mastering a nonmaster ) , a deliberate , strained inversion of that familiar discourse , but not quite an alternative .
His language here suggests only a double - negative freedom from a familiar discourse of domination ( not - mastering a nonmaster ) , a deliberate , strained inversion of that familiar discourse , but not quite an alternative .
Page 156
When something actually does happen to someone like Harry , when he encounters phenomena , language , or circumstances beyond the limits of his familiar forms and sys- tems , it is likely to seem not " natural " at all .
When something actually does happen to someone like Harry , when he encounters phenomena , language , or circumstances beyond the limits of his familiar forms and sys- tems , it is likely to seem not " natural " at all .
Page 179
But the pace of these lines and their barren setting do allow the poem to focus on a thirst for something that is at least negatively de- fined as not here , not present , not familiar : " Here one can nei- ther stand nor lie nor sit ...
But the pace of these lines and their barren setting do allow the poem to focus on a thirst for something that is at least negatively de- fined as not here , not present , not familiar : " Here one can nei- ther stand nor lie nor sit ...
Avis des internautes - Rédiger un commentaire
Aucun commentaire n'a été trouvé aux emplacements habituels.
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |