Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 pages |
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Page 73
... fear and desire in white American audi- ences ' attraction to minstrelsy : " When the white man steps behind the mask of the [ blackface ] trickster his freedom is cir- cumscribed by the fear that he is not simply miming a personi ...
... fear and desire in white American audi- ences ' attraction to minstrelsy : " When the white man steps behind the mask of the [ blackface ] trickster his freedom is cir- cumscribed by the fear that he is not simply miming a personi ...
Page 75
Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland. contain fear by quickly projecting it onto someone else . Jim's story constructs out of his own experience and survival of dan- ger and fear an imaginative and rhetorical ...
Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland. contain fear by quickly projecting it onto someone else . Jim's story constructs out of his own experience and survival of dan- ger and fear an imaginative and rhetorical ...
Page 149
... fear in a handful of dust " ( 27-30 ) . Although in Isaiah 32 : 2 " the shadow of a great rock in a weary land " serves as a focus- ing image of the Messiah's reign , in Eliot's poem the addressed poet , speaker , or reader knows only ...
... fear in a handful of dust " ( 27-30 ) . Although in Isaiah 32 : 2 " the shadow of a great rock in a weary land " serves as a focus- ing image of the Messiah's reign , in Eliot's poem the addressed poet , speaker , or reader knows only ...
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |