Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 51
The story begins to feel dif- ferent now to Denver as she considers her former role in the story as a rescued but powerless victim , able only to identify gratefully with her heroic mother - protectors but unable to know either who ...
The story begins to feel dif- ferent now to Denver as she considers her former role in the story as a rescued but powerless victim , able only to identify gratefully with her heroic mother - protectors but unable to know either who ...
Page 73
He ap- parently feels some attraction to these dangerous psychic terri- tories , but has no language or strategy for ... Because Huck does not feel as free of danger in the Widow's society as he is supposed to feel , he can almost ...
He ap- parently feels some attraction to these dangerous psychic terri- tories , but has no language or strategy for ... Because Huck does not feel as free of danger in the Widow's society as he is supposed to feel , he can almost ...
Page 141
Readers are likely to wonder , why would he not feel relief at having es- caped the ax ? But as far as Trueblood is concerned , any such ending in relief would make no more than momentary sense . What might be a Providential , comic ...
Readers are likely to wonder , why would he not feel relief at having es- caped the ax ? But as far as Trueblood is concerned , any such ending in relief would make no more than momentary sense . What might be a Providential , comic ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |