Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 9
Whether readers or char- acters are involved , a hand's touch in Faulkner is represented not as an ongoing condition but as an event , if not a crisis . With regard to readers , Faulkner's language calls attention especially to our ...
Whether readers or char- acters are involved , a hand's touch in Faulkner is represented not as an ongoing condition but as an event , if not a crisis . With regard to readers , Faulkner's language calls attention especially to our ...
Page 52
On the one hand , Amy muses tenderly and perhaps ironically in a " dreamwalker's voice " of romance to de- scribe Sethe's back as a chokecherry tree with all the significant detail of Hester Prynne's scarlet embroidered letter A and to ...
On the one hand , Amy muses tenderly and perhaps ironically in a " dreamwalker's voice " of romance to de- scribe Sethe's back as a chokecherry tree with all the significant detail of Hester Prynne's scarlet embroidered letter A and to ...
Page 67
... understood to function as the invisible hand of Providence , but on newly recognized common and overlapping interests ( especially class interests ) and a background of every- day experience and interpersonal encounters in some ways ...
... understood to function as the invisible hand of Providence , but on newly recognized common and overlapping interests ( especially class interests ) and a background of every- day experience and interpersonal encounters in some ways ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |