Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 9
What is dramatized in this touch , however , is not the making and remak- ing of Ike's identity in relationship to hers ( although the absence of that possibility may be painfully obvious to readers , as it is to his interlocutor in the ...
What is dramatized in this touch , however , is not the making and remak- ing of Ike's identity in relationship to hers ( although the absence of that possibility may be painfully obvious to readers , as it is to his interlocutor in the ...
Page 10
We remake ourselves and each other in our acts of identification and projection onto others , and we repeatedly renegotiate these identities in the context of oth- ers ' stories . For Ike McCaslin , however , touching this woman's hand ...
We remake ourselves and each other in our acts of identification and projection onto others , and we repeatedly renegotiate these identities in the context of oth- ers ' stories . For Ike McCaslin , however , touching this woman's hand ...
Page 71
The " separate confinement " of his new identity thus also requires what Morrison calls his " playing in the dark " beyond the boundaries of that identity . Insofar as Twain's readers identify with Huck's uncomfortable new identity as a ...
The " separate confinement " of his new identity thus also requires what Morrison calls his " playing in the dark " beyond the boundaries of that identity . Insofar as Twain's readers identify with Huck's uncomfortable new identity as a ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |