Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 113
His nar- rator opens with an expressive statement , " I am an invisible man , " but this is followed immediately by an implicitly second- person correction of what he assumes readers accustomed to Melville ...
His nar- rator opens with an expressive statement , " I am an invisible man , " but this is followed immediately by an implicitly second- person correction of what he assumes readers accustomed to Melville ...
Page 120
It is not the effect of Providence or an " invisible hand , " nor does it demonstrate those promises ' inevi- table unmasking or unmaking . It is instead the complex and changing result of a variety of social forces , including cultural ...
It is not the effect of Providence or an " invisible hand , " nor does it demonstrate those promises ' inevi- table unmasking or unmaking . It is instead the complex and changing result of a variety of social forces , including cultural ...
Page 121
I'm coming out , no less invisible without it , but coming out nevertheless " ( 581 ) . That is , the conventionally aes- thetic , novelistic , narrative resolution has not resolved his social invisibility in any final way .
I'm coming out , no less invisible without it , but coming out nevertheless " ( 581 ) . That is , the conventionally aes- thetic , novelistic , narrative resolution has not resolved his social invisibility in any final way .
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |