Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 114
It is a blindness ironic about the failures of its ideals but inno- cent about the power that its irony leaves in place . Nor is the invisibility created by this blindness only particular , marginal , and social : it is , however ...
It is a blindness ironic about the failures of its ideals but inno- cent about the power that its irony leaves in place . Nor is the invisibility created by this blindness only particular , marginal , and social : it is , however ...
Page 131
To end in irony toward those naive cultural visions would mean pretend- ing that he could escape as his pilot could ... Instead , the novel takes a dramatic turn in method away from Eliot's ironic juxtapositions of past and present to ...
To end in irony toward those naive cultural visions would mean pretend- ing that he could escape as his pilot could ... Instead , the novel takes a dramatic turn in method away from Eliot's ironic juxtapositions of past and present to ...
Page 179
The water - dripping song concludes , though , “ But there is no water " ( 358 ) .9 Eliot's irony here effectively ... image of water may not be the right image at all , but this ironic admission allows him to use it nevertheless .
The water - dripping song concludes , though , “ But there is no water " ( 358 ) .9 Eliot's irony here effectively ... image of water may not be the right image at all , but this ironic admission allows him to use it nevertheless .
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |