Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 75
This sense of Jim's surviving a “ ruining " and " spoil- ing " depends on a division not between Jim and other people , as Tom's " mastery " does , but on a division within Jim himself , a kind of double consciousness of his assigned ...
This sense of Jim's surviving a “ ruining " and " spoil- ing " depends on a division not between Jim and other people , as Tom's " mastery " does , but on a division within Jim himself , a kind of double consciousness of his assigned ...
Page 82
Jim figures here as a kind of substitute and transference for the different forms of support and companionship Huck has only ambivalently rejected in the Widow Douglas and Miss Watson , then rejected again in Tom's adventure plots ...
Jim figures here as a kind of substitute and transference for the different forms of support and companionship Huck has only ambivalently rejected in the Widow Douglas and Miss Watson , then rejected again in Tom's adventure plots ...
Page 113
Ellison's prologue begins by attempting to address that same dominant language and culture in relatively direct but self - con- sciously unsuccessful ways , through self - expression and a kind of prose music or poetry , before he turns ...
Ellison's prologue begins by attempting to address that same dominant language and culture in relatively direct but self - con- sciously unsuccessful ways , through self - expression and a kind of prose music or poetry , before he turns ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |