Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 9
With regard to readers , Faulkner's language calls attention especially to our distance from his characters and his narrators . As Philip Weinstein writes about the language of Light in August , " agency [ on the part of characters ...
With regard to readers , Faulkner's language calls attention especially to our distance from his characters and his narrators . As Philip Weinstein writes about the language of Light in August , " agency [ on the part of characters ...
Page 113
to be coming from and addressed to the already dead , but it is also recognized as still unburied , still unaddressed in the surviv- ing language and culture . Ellison's epigraphs thus call attention to openings in the dominant culture ...
to be coming from and addressed to the already dead , but it is also recognized as still unburied , still unaddressed in the surviv- ing language and culture . Ellison's epigraphs thus call attention to openings in the dominant culture ...
Page 156
Not only does Downing assert Harry's independence of the unknown " circumstance " that others ( like Huck or Jim , for ex- ample ) expect to have to negotiate , Downing's language in the last line also equates the somewhat mystified and ...
Not only does Downing assert Harry's independence of the unknown " circumstance " that others ( like Huck or Jim , for ex- ample ) expect to have to negotiate , Downing's language in the last line also equates the somewhat mystified and ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |