Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 177
The emotional stability he attempts here is suggested in a letter to Ford Madox Ford in 1923 , where Eliot called the twenty - nine lines of the next two stanzas the " good lines in The Waste Land " as opposed ...
The emotional stability he attempts here is suggested in a letter to Ford Madox Ford in 1923 , where Eliot called the twenty - nine lines of the next two stanzas the " good lines in The Waste Land " as opposed ...
Page 187
Eliot's next line , taken from Thomas Kyd's Spanish Tragedy , briefly raises the possibility of a more creative ... in favor of salvaging his own pathos and dignity , his last two lines expand instead on that patient , formal dignity .
Eliot's next line , taken from Thomas Kyd's Spanish Tragedy , briefly raises the possibility of a more creative ... in favor of salvaging his own pathos and dignity , his last two lines expand instead on that patient , formal dignity .
Page 204
Quotations from the poem will be cited by their line or line - note number in the text of the first edition as ... This first edition counts two lines as one at about line 346 ; line numbers thereafter are one number lower than in other ...
Quotations from the poem will be cited by their line or line - note number in the text of the first edition as ... This first edition counts two lines as one at about line 346 ; line numbers thereafter are one number lower than in other ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |