Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
À l'intérieur du livre
Résultats 1-3 sur 34
Page 18
Baym's essay thus calls valuable attention to the limits of this definition of American literature in accounting for women's writing or other American literary works that did in fact exist alongside the literature that was canonized .
Baym's essay thus calls valuable attention to the limits of this definition of American literature in accounting for women's writing or other American literary works that did in fact exist alongside the literature that was canonized .
Page 19
In addressing African American literary and cultural traditions , however , Ellison and Morrison also address European American cultural traditions , variously demonstrating the difficulty of segregating European American from African ...
In addressing African American literary and cultural traditions , however , Ellison and Morrison also address European American cultural traditions , variously demonstrating the difficulty of segregating European American from African ...
Page 209
Criticism and the Color Line : De- segregating American Literary Studies . Ed . Henry B. Wonham . New Brunswick : Rutgers UP , 1996. 251–90 . Was Huck Black ? Mark Twain and African American Voices . New York : Oxford UP , 1993 .
Criticism and the Color Line : De- segregating American Literary Studies . Ed . Henry B. Wonham . New Brunswick : Rutgers UP , 1996. 251–90 . Was Huck Black ? Mark Twain and African American Voices . New York : Oxford UP , 1993 .
Avis des internautes - Rédiger un commentaire
Aucun commentaire n'a été trouvé aux emplacements habituels.
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society story suggests tends tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |