Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 pages |
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Page 5
... look , look . Look where your hands are . Now " ( 229 ) . This voice suggests not only a readiness to enter into such a relation- ship , here with an unknown reader figured ambiguously as a lover , but also a pointed identification of ...
... look , look . Look where your hands are . Now " ( 229 ) . This voice suggests not only a readiness to enter into such a relation- ship , here with an unknown reader figured ambiguously as a lover , but also a pointed identification of ...
Page 132
... look back at that vision from the perspective of one of its invisible objects and not just as one of its blind subjects . From this different angle , that idealizing vision looks as mystifying as it is inspiring . Norton has supported ...
... look back at that vision from the perspective of one of its invisible objects and not just as one of its blind subjects . From this different angle , that idealizing vision looks as mystifying as it is inspiring . Norton has supported ...
Page 163
... look " smart " enough to do it herself , Lil's reply and " straight look " ask for more responsibility from her friend than that . The speaker shifts again , however , to the evasive language of market consumerism : " If you don't like ...
... look " smart " enough to do it herself , Lil's reply and " straight look " ask for more responsibility from her friend than that . The speaker shifts again , however , to the evasive language of market consumerism : " If you don't like ...
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |