Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 55
By a kind of transference , then , Amy's en- counter with Sethe seems to give Amy the opportunity and the courage to address and rearticulate memories of her lost mother and of her own past abuse , memories that her dreamy talk of ...
By a kind of transference , then , Amy's en- counter with Sethe seems to give Amy the opportunity and the courage to address and rearticulate memories of her lost mother and of her own past abuse , memories that her dreamy talk of ...
Page 63
They remain ghosts when their individual , fragmented stories haunt memories but are never acknowledged by the living , whose recognition and shared memories are necessary to make those haunting memories real .
They remain ghosts when their individual , fragmented stories haunt memories but are never acknowledged by the living , whose recognition and shared memories are necessary to make those haunting memories real .
Page 79
But Jim's story about hitting ' Lizabeth restages Huck's memories and fears of being beaten in a way that offers Huck the chance to understand his own memories differently . Jim's story adds especially the apolo- gies and regret that ...
But Jim's story about hitting ' Lizabeth restages Huck's memories and fears of being beaten in a way that offers Huck the chance to understand his own memories differently . Jim's story adds especially the apolo- gies and regret that ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |