Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 22
Since well before Twain published Huckleberry Finn in the 1880s , many Americans have wanted to think that goodwill would be enough , that an individualized change of heart , a moral rebirth or conversion experience would be enough to ...
Since well before Twain published Huckleberry Finn in the 1880s , many Americans have wanted to think that goodwill would be enough , that an individualized change of heart , a moral rebirth or conversion experience would be enough to ...
Page 25
There is plenty of dis- appointing evidence here that Huck's moral heroism was not another final , clean break from America's past but is instead an- other repetition of a powerfully seductive discourse of American romance , and that ...
There is plenty of dis- appointing evidence here that Huck's moral heroism was not another final , clean break from America's past but is instead an- other repetition of a powerfully seductive discourse of American romance , and that ...
Page 104
Even if such moral ideals were inade- quate to govern our social conduct in the nineteenth century , American fiction continued to address this as a crucial national problem . " During Melville's time and Twain's , " this " basic moral ...
Even if such moral ideals were inade- quate to govern our social conduct in the nineteenth century , American fiction continued to address this as a crucial national problem . " During Melville's time and Twain's , " this " basic moral ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |