Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 115
Arm- strong's " poetry " may depend , in fact , on not understanding that invisibility in the way that the narrator says he does himself , even though the narrator apparently cannot communicate that understanding either : " I think it ...
Arm- strong's " poetry " may depend , in fact , on not understanding that invisibility in the way that the narrator says he does himself , even though the narrator apparently cannot communicate that understanding either : " I think it ...
Page 119
It is a " hard - earned wisdom " about the limitations , divi- sions , and necessary negotiability of any one vision or truth , as summarized in the narrator's reminder in the epilogue that " the mind that has conceived a plan of living ...
It is a " hard - earned wisdom " about the limitations , divi- sions , and necessary negotiability of any one vision or truth , as summarized in the narrator's reminder in the epilogue that " the mind that has conceived a plan of living ...
Page 133
The blindnesses and invisibilities concealed in Norton's and the narrator's own romantic idealism become even clearer to the invisible man and his readers as he listens to Norton move from the rhetoric of romance to that of American ...
The blindnesses and invisibilities concealed in Norton's and the narrator's own romantic idealism become even clearer to the invisible man and his readers as he listens to Norton move from the rhetoric of romance to that of American ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |