Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 pages |
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Page 85
... natural markers , without any corresponding sense of where ( or toward whom ) he is moving , or how his story relates to the social or even the natural world around him : “ If a little glimpse of a snag slips by , you don't think to ...
... natural markers , without any corresponding sense of where ( or toward whom ) he is moving , or how his story relates to the social or even the natural world around him : “ If a little glimpse of a snag slips by , you don't think to ...
Page 147
... natural and the supernatural compared to Huck's own " unconsciousness " : " It is Huck who gives the book style . The River gives the book its form . " Social and racial questions do not quite disappear , but they seem im- possible to ...
... natural and the supernatural compared to Huck's own " unconsciousness " : " It is Huck who gives the book style . The River gives the book its form . " Social and racial questions do not quite disappear , but they seem im- possible to ...
Page 156
... natural " both to Downing and to Harry himself . When something actually does happen to someone like Harry , when he encounters phenomena , language , or circumstances beyond the limits of his familiar forms and sys- tems , it is likely ...
... natural " both to Downing and to Harry himself . When something actually does happen to someone like Harry , when he encounters phenomena , language , or circumstances beyond the limits of his familiar forms and sys- tems , it is likely ...
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |