Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 44
She is no more committed by nature or ... Not by nature or in principle , then , but in the event of her cross - cultural interaction with Sethe , Amy Denver does find herself drawn , like Huck , unpredictably , almost unaccountably ...
She is no more committed by nature or ... Not by nature or in principle , then , but in the event of her cross - cultural interaction with Sethe , Amy Denver does find herself drawn , like Huck , unpredictably , almost unaccountably ...
Page 78
This shift from environmentalism and from the idea of a common human nature ( also important in nineteenth - century evangelism ) can be seen in the frequent tendency of Twain's novel to portray Jim's childish simplicity , despite his ...
This shift from environmentalism and from the idea of a common human nature ( also important in nineteenth - century evangelism ) can be seen in the frequent tendency of Twain's novel to portray Jim's childish simplicity , despite his ...
Page 121
But given the nature of his invisibility , his play- ing this socially responsible role will depend at least to some degree and in different ways on his readers , whether we be white , black , blind , invisible , or more likely - hybrid ...
But given the nature of his invisibility , his play- ing this socially responsible role will depend at least to some degree and in different ways on his readers , whether we be white , black , blind , invisible , or more likely - hybrid ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |