Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 pages |
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Page 85
... once you'll see " ( 100-101 ) . Huck's description here of his loneliness and disorientation in the dark without any markers other than his own perceptions resembles a philosophical de- scription by Deleuze of “ what happens when Others ...
... once you'll see " ( 100-101 ) . Huck's description here of his loneliness and disorientation in the dark without any markers other than his own perceptions resembles a philosophical de- scription by Deleuze of “ what happens when Others ...
Page 115
... once in the prologue , we hear a barrage of contradictory statements on blackness , free- dom , loving , and hating , until the narrator and also ( as he sus- pects ) his readers are thoroughly " confused " and " dazed " by so many ...
... once in the prologue , we hear a barrage of contradictory statements on blackness , free- dom , loving , and hating , until the narrator and also ( as he sus- pects ) his readers are thoroughly " confused " and " dazed " by so many ...
Page 187
... once , that " I know not " ( Facsimile 61 ) . Eliot's next line , taken from Thomas Kyd's Spanish Tragedy , briefly raises the possibility of a more creative , strategic use of the means at hand to respond to the situation— “ Why then ...
... once , that " I know not " ( Facsimile 61 ) . Eliot's next line , taken from Thomas Kyd's Spanish Tragedy , briefly raises the possibility of a more creative , strategic use of the means at hand to respond to the situation— “ Why then ...
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |