Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 45
And perhaps Sethe knows somehow that Amy might have more interest in their en- counter than Amy admits or recognizes . " They slipped effort- lessly into yard chat about nothing in particular — except one lay on the ground " ( 33 ) .
And perhaps Sethe knows somehow that Amy might have more interest in their en- counter than Amy admits or recognizes . " They slipped effort- lessly into yard chat about nothing in particular — except one lay on the ground " ( 33 ) .
Page 53
But her contrast creaks under the force of their inter- action , although perhaps her contrast also works as a tempo- rarily familiar reassurance enabling that riskier interaction . She is reminded of " a old nigger girl " who " don't ...
But her contrast creaks under the force of their inter- action , although perhaps her contrast also works as a tempo- rarily familiar reassurance enabling that riskier interaction . She is reminded of " a old nigger girl " who " don't ...
Page 190
American cultures as represented in how we read that literature are usually a more reflective and indirect focus , perhaps because this focus is even more variable and context - specific , changing in every classroom and every reader's ...
American cultures as represented in how we read that literature are usually a more reflective and indirect focus , perhaps because this focus is even more variable and context - specific , changing in every classroom and every reader's ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |