Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 9
It is apparently not the ex- pression of one possible world among other possible worlds , but the only conceivable world . Its loss therefore seems irreparable , at least to Ike . Identity in Morrison , whether we imagine ourselves as ...
It is apparently not the ex- pression of one possible world among other possible worlds , but the only conceivable world . Its loss therefore seems irreparable , at least to Ike . Identity in Morrison , whether we imagine ourselves as ...
Page 29
In Playing in the Dark , Morrison suggests , for example , that American romance " made possible the sometimes safe and other times risky embrace of quite specific , understand- ably human , fears " ( 36 ) . American romance made such ...
In Playing in the Dark , Morrison suggests , for example , that American romance " made possible the sometimes safe and other times risky embrace of quite specific , understand- ably human , fears " ( 36 ) . American romance made such ...
Page 55
She dares to think that death for herself and her fetus is not the only possible shape her story can take , placed though it now apparently is on the dark underside of a dominant discourse that is racialized , gendered , class - marked ...
She dares to think that death for herself and her fetus is not the only possible shape her story can take , placed though it now apparently is on the dark underside of a dominant discourse that is racialized , gendered , class - marked ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |