Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 4
know we are reading fiction and that we have a certain control over the pace , the intensity , and the interpretation of ... In a kind of transference , readers are encouraged to elaborate in the presence of another subjectivity our own ...
know we are reading fiction and that we have a certain control over the pace , the intensity , and the interpretation of ... In a kind of transference , readers are encouraged to elaborate in the presence of another subjectivity our own ...
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But neither of these influ- ential critical judgments has quite settled most readers ' ques- tions about this novel's ending - or about the direction it seems to set for American literature .
But neither of these influ- ential critical judgments has quite settled most readers ' ques- tions about this novel's ending - or about the direction it seems to set for American literature .
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... sentimental illusions and hypocrisies , in favor of the post - Emancipation middle - class reader's common sense . ... own past “ siviliza- tion , " but also that of readers positioned later in history and ( usually ) older in age .
... sentimental illusions and hypocrisies , in favor of the post - Emancipation middle - class reader's common sense . ... own past “ siviliza- tion , " but also that of readers positioned later in history and ( usually ) older in age .
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |