Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 9
Whether readers or char- acters are involved , a hand's touch in Faulkner is represented not as an ongoing condition but as an event , if not a crisis . With regard to readers , Faulkner's language calls attention especially to our ...
Whether readers or char- acters are involved , a hand's touch in Faulkner is represented not as an ongoing condition but as an event , if not a crisis . With regard to readers , Faulkner's language calls attention especially to our ...
Page 15
That is , these movements were being represented to us mostly as moralistic appeals to the individual consciences of " better " white , male Americans to distinguish ourselves ( like Huck ) from a bigoted past repre- sented by easily ...
That is , these movements were being represented to us mostly as moralistic appeals to the individual consciences of " better " white , male Americans to distinguish ourselves ( like Huck ) from a bigoted past repre- sented by easily ...
Page 190
Teaching American literature always involves addressing not only the cultural and personal currents represented within the literature , but also the cultural and personal currents that inform our readings as teachers and students of ...
Teaching American literature always involves addressing not only the cultural and personal currents represented within the literature , but also the cultural and personal currents that inform our readings as teachers and students of ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |