Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 146
He is expected to bear that responsibility alone and not to shift it onto " other boys . " Because of their higher class status ( and racial status ) , “ other boys " like Tom would feel entitled to an occasional practical joke at Jim's ...
He is expected to bear that responsibility alone and not to shift it onto " other boys . " Because of their higher class status ( and racial status ) , “ other boys " like Tom would feel entitled to an occasional practical joke at Jim's ...
Page 158
The importance of class differences in Eliot's thinking about responsibility to and distractions from challenging cultural cir- cumstances is suggested in an essay published one year after The Waste Land on the death of popular music ...
The importance of class differences in Eliot's thinking about responsibility to and distractions from challenging cultural cir- cumstances is suggested in an essay published one year after The Waste Land on the death of popular music ...
Page 163
ness— “ I didn't mince my words , I said to her myself ” —but the speaker's narration of her meeting with Lil seems motivated mostly by an effort to evade the responsibility suggested by Lil's having given her a " straight look " ( 151 ) ...
ness— “ I didn't mince my words , I said to her myself ” —but the speaker's narration of her meeting with Lil seems motivated mostly by an effort to evade the responsibility suggested by Lil's having given her a " straight look " ( 151 ) ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |