Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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A risk in this oppositional multiculturalism , however , is that its emphasis on the extensive , subtle power of dominant economic and cultural structures tends toward determinism and tends to undercut ideas of positive agency , change ...
A risk in this oppositional multiculturalism , however , is that its emphasis on the extensive , subtle power of dominant economic and cultural structures tends toward determinism and tends to undercut ideas of positive agency , change ...
Page 49
The risk becomes worth taking because both the risk and the courage to take that risk are being shared with someone ... Sethe warily begins to take such risks again , both by making plans and by remembering and telling Beloved stories ...
The risk becomes worth taking because both the risk and the courage to take that risk are being shared with someone ... Sethe warily begins to take such risks again , both by making plans and by remembering and telling Beloved stories ...
Page 57
Paul D can identify with the role of self - sufficient hero on account of his gender ( as if he " had willed himself into being " ) even at the risk ( and especially to deny the risk ) of using an associated racist distinction he also ...
Paul D can identify with the role of self - sufficient hero on account of his gender ( as if he " had willed himself into being " ) even at the risk ( and especially to deny the risk ) of using an associated racist distinction he also ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |