Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 pages |
À l'intérieur du livre
Résultats 1-3 sur 17
Page 158
... scenes also play against each other , as in the Middleton play , but the juxtaposition here calls special at- tention to an extreme difference in class . One scene features the aristocracy and the other the working class ; each portrays ...
... scenes also play against each other , as in the Middleton play , but the juxtaposition here calls special at- tention to an extreme difference in class . One scene features the aristocracy and the other the working class ; each portrays ...
Page 162
... scene in the pub . Yet the pub scene's directness is itself hampered by a lack of even the most provisional " independent virtues " of the kind that Eliot hoped might be supported and sustained by a popu- lar art like Marie Lloyd's , as ...
... scene in the pub . Yet the pub scene's directness is itself hampered by a lack of even the most provisional " independent virtues " of the kind that Eliot hoped might be supported and sustained by a popu- lar art like Marie Lloyd's , as ...
Page 164
... scene and " A Game of Chess " end , both the bar- tender's official farewells and the patrons ' more informal fare- wells are made to seem themselves like formulaic distractions from the more challenging responsibilities faintly ...
... scene and " A Game of Chess " end , both the bar- tender's official farewells and the patrons ' more informal fare- wells are made to seem themselves like formulaic distractions from the more challenging responsibilities faintly ...
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |