Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 pages |
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Page 9
... seems almost impossible that it could be remade or re- placed , as might be more likely in a first- or second - person ac- count . This patriarchal identity was apparently not even made ( or constructed ) in the first place . It just ...
... seems almost impossible that it could be remade or re- placed , as might be more likely in a first- or second - person ac- count . This patriarchal identity was apparently not even made ( or constructed ) in the first place . It just ...
Page 68
... seems to recognize in Jim but not in Tom , even if Huck never clearly identifies the class source of that shared unrest . Lott argues , " Minstrelsy's use of racial license to map class revolt was one gesture in the sphere of culture ...
... seems to recognize in Jim but not in Tom , even if Huck never clearly identifies the class source of that shared unrest . Lott argues , " Minstrelsy's use of racial license to map class revolt was one gesture in the sphere of culture ...
Page 156
... seem not " natural " at all . Nor is the unex- pected event likely to seem only unnatural or even cultural , since neither of these categories would sufficiently account for the un- expected affront to his own accustomed knowledge and ...
... seem not " natural " at all . Nor is the unex- pected event likely to seem only unnatural or even cultural , since neither of these categories would sufficiently account for the un- expected affront to his own accustomed knowledge and ...
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |