Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Morrison's use of the first and second person in fictional and critical dialogue stresses this sense of personal agency and conscious appeals to cultural resources , but her use of the third and especially the second person in her ...
Morrison's use of the first and second person in fictional and critical dialogue stresses this sense of personal agency and conscious appeals to cultural resources , but her use of the third and especially the second person in her ...
Page 71
realist stance , satirizing the small - town southern past's outdated , defeated , sentimental illusions and hypocrisies , in favor of the post - Emancipation middle - class reader's common sense . But the novel's tone also leaves ...
realist stance , satirizing the small - town southern past's outdated , defeated , sentimental illusions and hypocrisies , in favor of the post - Emancipation middle - class reader's common sense . But the novel's tone also leaves ...
Page 116
He acknowledges the difficulty of sustaining that al- most overwhelming sense of incommensurable differences : " to see around corners is enough .... But to hear around them is too much ; it inhibits action .
He acknowledges the difficulty of sustaining that al- most overwhelming sense of incommensurable differences : " to see around corners is enough .... But to hear around them is too much ; it inhibits action .
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |