Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 102
He even suggests that the poem's " own " language may not be its own at all , that it may owe much of its power to the rhythms , allusions , and discontinuities characteristic of jazz , a power which he suggests that neither Eliot ...
He even suggests that the poem's " own " language may not be its own at all , that it may owe much of its power to the rhythms , allusions , and discontinuities characteristic of jazz , a power which he suggests that neither Eliot ...
Page 168
Eliot's poem suggests an alternately fearful and ironic dis- trust of this entire process of “ interpenetration and metamor- phosis " in modern art , despite Eliot's overriding sense of its necessity , importance , and timeliness .
Eliot's poem suggests an alternately fearful and ironic dis- trust of this entire process of “ interpenetration and metamor- phosis " in modern art , despite Eliot's overriding sense of its necessity , importance , and timeliness .
Page 182
The stanza also thus suggests a reflec- tion on the entire poem's practice . But the suggestion here is that the poem has made no such invocation , as if it has only allowed the Grail legend to speak for itself .
The stanza also thus suggests a reflec- tion on the entire poem's practice . But the suggestion here is that the poem has made no such invocation , as if it has only allowed the Grail legend to speak for itself .
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |