Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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This sense of our having various intimate , transforming holds on each other is in fact almost a constant in Morrison's work , even if some of us both within and outside her fiction may be strongly inclined to forget it .
This sense of our having various intimate , transforming holds on each other is in fact almost a constant in Morrison's work , even if some of us both within and outside her fiction may be strongly inclined to forget it .
Page 41
As she says in her essay , “ Perhaps some [ writers of the canonical romance ] were not so much transcending politics , or escaping blackness , as they were transforming it into intelligible , accessible , yet ar- tistic modes of ...
As she says in her essay , “ Perhaps some [ writers of the canonical romance ] were not so much transcending politics , or escaping blackness , as they were transforming it into intelligible , accessible , yet ar- tistic modes of ...
Page 167
Eliot's review sug- gests that the way to make music of modern life is to bring it into transforming encounters with something strikingly different from itself , the primitive , for example , since " In art there should be ...
Eliot's review sug- gests that the way to make music of modern life is to bring it into transforming encounters with something strikingly different from itself , the primitive , for example , since " In art there should be ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |