Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 101
I was intrigued by its power to move me while eluding my understanding . Somehow its rhythms were often closer to those of jazz than were those of the Negro poets , and even though I could not understand then , its range of allu- sion ...
I was intrigued by its power to move me while eluding my understanding . Somehow its rhythms were often closer to those of jazz than were those of the Negro poets , and even though I could not understand then , its range of allu- sion ...
Page 102
others unable to account for the poem's power , understand its allusions , or discover its hidden system of organization , he might be expected to dismiss the poem altogether as only a heap of broken images , a wasteland ...
others unable to account for the poem's power , understand its allusions , or discover its hidden system of organization , he might be expected to dismiss the poem altogether as only a heap of broken images , a wasteland ...
Page 115
Arm- strong's " poetry " may depend , in fact , on not understanding that invisibility in the way that the narrator says he does himself , even though the ... And my own grasp of invisibility aids me to understand his music " ( 8 ) .
Arm- strong's " poetry " may depend , in fact , on not understanding that invisibility in the way that the narrator says he does himself , even though the ... And my own grasp of invisibility aids me to understand his music " ( 8 ) .
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot Richard C. Moreland Aucun aperçu disponible - 1999 |
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society speak story suggests tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |